Writing through Gestures
Photography and Mimicry in “The Metamorphosis”, by Franz Kafka
DOI:
https://doi.org/10.51427/com.jcs.2025.8.4Keywords:
Franz Kafka, metalepsis, repression, interpretation, writing, photographyAbstract
This article proposes that Franz Kafka’s “The Metamorphosis” is built on a motivated sequence of frames, or framed portraits, which reads as a photobook avant la lettre. From this reading a recurring theme emerges, metalepsis, through which Kafka engenders a psychoanalytic reading of his own text, which aims to sabotage its interpretation. This codifies a characteristic evasive pattern and an allegory of the act of writing for which Gregor Samsa’s body and movements are a trope.Downloads
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